Reviews 2








 
Nathan James: This Road Is Mine (Pacific Blues) cd.gif (1045 bytes)
Jamie Wood: Ain't No Doubt About It (Pacific Blues) cd.gif (1045 bytes)

 The West Coast based Pacific Blues label is one of those small blues labels that has a knack for consistently putting out quality releases, most with little fanfare. Their latest offerings are top notch including Nathan James' debut "This Road Is Mine", a knockout country blues disc, and Jamie Wood's swinging, retro flavored "Ain't No Doubt About It."

 24 year old Nathan James has played guitar in James Harman's band for about four years and Harman was so impressed he produced this album. It's not hard to see why as James is an exceptional country blues guitarist who has a feel for the music well beyond his years. While he played electric in Harman's band here he focuses on acoustic sounding equally fine on resonator or flattop as well as singing and playing rack harmonica. Teaming up with James is multi-instrumentalist Ben Hernandez on vocals, harmonica, kazoo, washtub bass and Harman lending a hand on vocals and harmonica. James sounds commanding on the solo pieces particularly the two Tampa Red covers, "Sugar Mama Blues" getting a great sound from that resonator, the tongue-in-cheek "If I Let You Get Away With It Once" and most impressively tackling Lonnie Johnson's classic instrumental "Woke Up With The Blues In My Fingers." Band highlights include Brownie & Sonny's "Sweet Lovin' Kind" with two part singing from James and Hernandez, the ragtime flavored "Hip Shakin' Mama" strongly inspired by Blind Boy Fuller and the fiery intensity of "Took My Saviors Hand" that brings to mind the great guitar evangelists of the past.

 Nathan James also plays guitar (electric) on Jamie Wood's swinging, jive flavored "Ain't no Doubt about It." Wood's band has a decidedly retro style harking back to the swinging combos of the 30's and 40's drawing inspiration from singers like Helen Humes, Ella Mae Morse and Lil Green. Wood's has an insinuating, wise and sassy style that perfectly suits this music and the band is terrific laying down a percussive, gently swinging backbeat. In addition to James on guitar, who shows his versatility playing tasteful electric in the style of Charlie Christian and Freddie Green, there's veteran boogie-woogie pianist Carl Sonny Leyland, Johnny Rover on chromatic harp, Tyler Pedersen standup bass, Johnny Morgan on drums and James Harman doing some jive talking on a Louis Jordan number. Get the martinis ready as Jamie Wood and her band jump and swing through a fine set list including well chosen covers like Memphis Minnie's sly "Kissin' In The Dark", "Doin' The Boogie Woogie" and Roosevelt Sykes' "Don't Talk Me To Death (a.k.a. 47th Street Jive)" both featuring the sparkling 88's of Sonny Leyland plus Jimmy Rushing's "Say You Don't Mean It" with a killer guitar solo by James. Wood's delivers a pair of fine jumping originals including the title track and the humorous "Hock That Rock."

 It's hard for a small label, especially a blues label, to get noticed in an already crowded market. Pacific Blues has been making their mark the old fashioned way by simply putting out great blues records. Both records by Nathan James and Jamie Wood fall into that category and I wouldn't be surprised if one or both popped up on some year end "best of" lists.

-Check out these related links:
Pacific Blues Website
Nathan James Website
Jamie Wood Website

(Jeff Harris)







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